TechKnowledgies: New Imaginaries in the Humanities, Arts, and TechnoSciences Review

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TechKnowledgies: New Imaginaries in the Humanities, Arts, and TechnoSciences ReviewAn excellent, eclectic volume of essays exploring the intersections between the humanities, arts, and technologies. From essays about Cowboy Bebop to Morrowind, David Bowie to Alfred Hitchcock, Starbucks to computer viruses, the collection shows how complex and interesting humanities-tech-art connections can be. Enjoyable, academic, intriguing.
Volume includes the following authors/essays:
William Hedberg: "Preface"
Mary Valentis: "Introduction: A Migratory Spirit"
Part I: Virtual and Material Spaces
Judith E. Johnson: "What Is Is When There's No There There: The Liebermann Catalog as Liminal Space"
Mary Valentis: "Architextualities: Unfolding The City Imaginaries in the Fiction and Film of William Kennedy, James Joyce, and Wong Kar Wai"
Alex Reid : "Virtual Haunts: `To Learn to Live Finally' (With New Media)"
Tony Robbin: "Four-Dimensional Geometry in Art: Then and Now"
Part II: Expanding Human Structures and Spaces
Glenn McGee: "Making Genetic Families"
Edward Mayer: "Structure and Organization of Space through Sculpture"
Maia Boswell-Penc: "Assessing Breastpumping Technologies in the Context of U.S. Women's Lived Experiences"
Goutam Paul: "Artificial Intelligence and Consciousness"
Part III: A Technology Play
William Kennedy: "In the System"
Part IV: Performance Spaces: The Event, the Body, the Virus
Janell Hobson: "Searching for Janet in Cyberspace: Race, Gender, and the Interface of Technology"
Matthew Pateman: "Structuring Stardom: Spacemen and the Transmigration of Images in David Bowie's Music Video"
Raymond Malewitz: "How to Unmake a Cup of Coffee: Entropy in Sam Shepard's 4-H Club"
Jason Farman: "The Virtual Artaud: Computer Virus as Performance Art"
Part V: Simulations
Elizabeth Throesch: "Approaching New Spaces: Textual Game-Playing and the Fourth Dimension"
Daniel Goodwin: "amBush!"
Robert Squillace: "Cyber-Structures and their Discontents"
Part VI: Cinemagraphic Imaginaries
William Rainbolt: "Documentary Film: Capturing the Friedmans and the Burden of Reality"
Laurie Kanick Jacobson: "Cowboy Bebop and the Virtual Soul"
Matthew Pangborn: "Hitchcock in the Labyrinth: Some Lines on the Subject"
Part VII: Digital Sciences and Spaces
Gertraud Koch: "The Conception of the Body in Computer Science: Towards a
Redefinition of a Cultural Topos in the Discourse of Information
Technology"
Wei-Tsong Wang and Julio Pontes: "Science, Metascience, and Information Science"
Paul Cesarini: "Stealing the Future to Compensate the Present: A Potential Legacy of Digital
Rights Management"
Part VIII: Capturing Place, Locating Time
Penelope Benson-Wright: "Cyber Shrines and Icons 2003"
Toshihiro Higuchi: "Gospel of a Peaceful Atom, Shrine of a Military Atom: U.S. Crusade against the Nuclear Taboo during the 1950s"
Michael Jonik: "The Apocalypse Unarrived: Some Implications of Nuclear Waste for the Humanities and Sciences"
Tara Emelye Needham: "High Ceilings, Seductive Shrines: Inside Starbucks"
Part IX: Inside the Textual Web: Writing and Community
Matthew S.S. Johnson: "The Texts of Tamriel: Online Gaming Projects, from Playing to Writing"
Honghong Tinn: "Feminist Critiques of the Dichotomous Gender Systems in Online Computer Games: A Gateway to Feminist Design of MMORPGs in Taiwan"TechKnowledgies: New Imaginaries in the Humanities, Arts, and TechnoSciences OverviewTechKnowledgies: New Imaginaries and Transmigrations in the Humanities, Arts, and TechnoSciences is a diverse collection of essays, a recently produced technology play by William Kennedy, art, and installations that represent, and at times resist, the ways science and technology are interacting with the arts and the humanities to produce new imaginaries and disciplinary transmigrations that gesture towards auniversityof tomorrow. As theoristsposit new futures and call for an end to historically grounded, or discipline-based, so-called silo approaches to knowledges, a de facto reorganization of disciplinary boundaries and a migratory spirit have spontaneously infused the humanities with new life. These transmigrations, instead of diffusing the disciplinary terrain, have strengthened and broadened existing fields.They are provoking re-mappings of intellectual topography, and, ironically, have brought about more rather than less integration. Activated by such massive cultural shifts as the turn from print to visual culture; the technological revolution and its virtual sublimes; the acceleration of scientific advances; the rise and incorporation of mass or popular culture and the possibilities of replication, the humanities are producing integrated knowledges, what we are calling new TechKnowledgies, that interface the humanities, the arts, the social and hard sciences with digital technologies and research emerging at the borders of all these fields.

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