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Wittgenstein's Ladder: Poetic Language and the Strangeness of the Ordinary ReviewThis is an engaging, down-to-earth book about the connections between Wittgenstein's aphoristic philosophy and some of the 20th-century writers who've followed his lead up the 'ladder of the ordinary.' Perloff's at her best with the close readings of difficult writers like Stein, Beckett and Creeley, who magically flower into comprehensibility under her sharp attention and good sense.The authors she chooses to illustrate Wittgenstein's influence seemed a little arbitrary to me though. She admits that Beckett and Stein didn't read Wittgenstein, and that Wittgenstein would probably have disliked their art. So why put them 'under his sign'? It makes more sense to me to see Wittgenstein as part of a wider generation who felt dissatisfied with the pre-war language they'd inherited. With later poets like Silliman and Waldrop, who explicitly cite Wittgenstein's writings as an inspiration, I think Perloff misses what separates them from Wittgenstein: he had no earlier model to cite. Wittgenstein's faith in ordinary language led to a manner of writing and thinking that was largely self-sufficient--an interested reader can dive right in and think through the problems for herself. His more allusive postmodern heirs rely to a large extent on your prior knowledge of texts like Wittgenstein's for their effects. Where Wittgenstein himself struggled to keep his religious and hierarchical values in check through the discipline of ordinary language--concepts like beauty, God and the self seemed to have some meaning for him, you just couldn't talk about those meanings with language--later writers' easy acceptance of notions like a language game, the 'constructed self' and the fundamental indeterminacy of language seems to drain some of the drama from their writing. You don't feel the same struggle (or modesty) that you sense in Wittgenstein's open, user-friendly illustrations. Describing one of his poems, Ron Silliman writes: "Every sentence is supposed to remind the reader of his or her inability to respond." I can't imagine Wittgenstein saying something like that.
Still, the book is an interesting take on Wittgenstein and the poetic he unwittingly inspired. Well worth reading.Wittgenstein's Ladder: Poetic Language and the Strangeness of the Ordinary OverviewMarjorie Perloff, among our foremost critics of twentieth-century poetry, argues that Ludwig Wittgenstein provided writers with a radical new aesthetic, a key to recognizing the inescapable strangeness of ordinary language. Taking seriously Wittgenstein's remark that "philosophy ought really to be written only as a form of poetry," Perloff begins by discussing Wittgenstein the "poet." What we learn is that the poetics of everyday life is anything but banal."This book has the lucidity and the intelligence we have come to expect from Marjorie Perloff.—Linda Munk, American Literature"[Perloff] has brilliantly adapted Wittgenstein's conception of meaning and use to an analysis of contemporary language poetry."—Linda Voris, Boston Review"Wittgenstein's Ladder offers significant insights into the current state of poetry, literature, and literary study. Perloff emphasizes the vitality of reading and thinking about poetry, and the absolute necessity of pushing against the boundaries that define and limit our worlds."—David Clippinger, Chicago Review"Majorie Perloff has done more to illuminate our understanding of twentieth century poetic language than perhaps any other critic. . . . Entertaining, witty, and above all highly original."—Willard Bohn, Sub-Stance
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