History As Propaganda: Tibetan Exiles versus the People's Republic of China Review

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History As Propaganda: Tibetan Exiles versus the People's Republic of China ReviewThe author wanted to be neutral in his position presenting and commenting on the arguments from Chinese government and Tibetan government-in-exile. He criticizes the stupid propaganda made by Chinese government, but he seldom criticizes the deceitful propaganda by Tibetan government-in-exile, which uses "democracy" and "human rights" to plead their case of pursuing independence. Were there any "democracy" and "human rights" under Dalai Lama's regime, a manorial serfdom, where the peasants lived on the estates of the aristocratic landowners and they were bound to their lord from birth, and worked his land, not unlike the peasants in medieval Europe?
The author's experiences make him biased in this topic inevitably, though I believe he tried not to be. From the last 2 paragraphs of his book: "During my tenure in graduate school and in subsequent research trips to South Asia, I lived in Tibetan communities and developed friendships with a number of Tibetans. In this situation, my exposure to Tibetan history was heavily conditioned by their perspective, ..."
I recommend the book "The Snow Lion and the Dragon" authored by Melvyn C. Goldstein to readers interested in Tibet Question.
History As Propaganda: Tibetan Exiles versus the People's Republic of China OverviewDespite Chinese efforts to stop foreign countries from granting him visas, the Dalai Lama has become one of the most recognizable and best loved people on the planet, drawing enormous crowds wherever he goes. By contrast, China's charismatically-challenged leaders attract crowds of protestors waving Tibetan flags and shouting "Free Tibet!" whenever they visit foreign countries. By now most Westerners probably think they understand the political situation in Tibet. But, John Powers argues, most Western scholars of Tibet evince a bias in favor of one side or the other in this continuing struggle. Some of the most emotionally charged rhetoric, says Powers, is found in studies of Tibetan history. narratives.

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Becoming Hebrew: The Creation of a Jewish National Culture in Ottoman Palestine Review

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Becoming Hebrew: The Creation of a Jewish National Culture in Ottoman Palestine ReviewSaposnik provides scholars, lay readers and policy makers an insightful, engaging and comprehensive synthesis of early competing and complimentary ideas and actions integral to the formation of contemporary Israeli national culture. BECOMING HEBREW provides a historical view of the cultural foundations of Israel as a Jewish nation that is a must read for persons seriously interested in a political solution which will support a just and lasting peace in the Mid East.Becoming Hebrew: The Creation of a Jewish National Culture in Ottoman Palestine Overview"If the Jews wish to become a nation of 'Jewish Culture,'" Eliezer Ben-Yehuda wrote in 1904, "they must first become truly a nation." Throughout the subsequent decade, Ben-Yehuda and other Zionist activists in Palestine attempted to transform the small, divided, economically depressed, and demographically declining Yishuv -- the pre-state Jewish community -- into the foundation of a modern nation. In this book, Arieh Bruce Saposnik tells the story of this transformation. As Saposnik shows, these activists did not attempt to rewrite Jewish culture simply by uprooting and transplanting themselves, but sought to affect a dramatic revolution in all aspects of Jewish life. They endeavored not only to revise Judaism, but to revise the very definition of culture, and the expanse with which they viewed the word was, in part, what made this group so revolutionary. The new "Hebrew" culture they sought to create encompassed everything from the way in which Yishuv Zionists dressed to the art they created and the literature they read, to the holidays they celebrated, to the language they spoke and the accent with which they spoke it. Politics, economics, and even medicine were mobilized to become dynamic parts of a new Jewish identity. Saposnik attempts to recapture their comprehensive view of culture and to show how these activists translated images and ideas into concrete cultural institutions, new art, rituals, and language. But, he also argues that this new culture, while expansive, was highly precarious and intensely contested. The Zionists struggled to maintain a complex relationship with traditional Jewish discourses, practices, and liturgy and to forge a delicate balance between the traditional and the novel, "occident" and "orient," and shifting national centers and peripheries. Through his examination of the Zionist cultural project, Saposnik sheds new light on the origins of Israel and Israeli culture, and on the fundamental building blocks from which modern nations and nationalisms are erected.

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